1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.  Related Paintings of Egon Schiele :. | Squatting male nude with stockings | Woodland Prayer | Portrait of Johann Harms | Portrait of eduard kosmack | Dead City III (mk12) |
Related Artists:
Louise-Catherine Breslau
(6 December 1856 - 12 May 1927) was a German/Swiss artist. Born Maria Luise Katharina Breslau in Munich, Germany, she spent her childhood in Zurich, Switzerland and as an adult made Paris, France her home. Suffering from asthma all her life, Breslau turned to drawing as a child to help pass the time while confined to her bed. Although she became one of the most sought after portraitists of her time, after her death she and her work were all but forgotten. It has only been in the past few years that interest in Breslau and her works has been growing. Breslau was born into a prosperous bourgeois family; her father was a well-respected physician specializing in obstetrics and gynecology. When Breslau was two years old, her father accepted the position of professor and head physician of Obstetrics and Gynecology at the University of Zurich; Switzerland became home to the Breslau family.
Dufy Raoul
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.
Sir John Lavery,RA
1856-1941 The artist John Lavery was born in Belfast, and studied in Scotland at the Glasgow School of Art from about 1874. He was in London from 1879-81 (he studied at Heatherley's School of Art for six months), and later in Paris, where he was influenced by Bastien-Lepage. He then returned to Glasgow, becoming a leading member of informal group of painters known as the Glasgow School (James Guthrie was another member), with work characterised by lack of a storyline, but great energy. Lavery achieved his pinnacle in the 1880s, with exhibitions in Europe and America, and as a leading portraitist, he was chosen to paint the State visit of Queen Victoria to the International Exhibition in Glasgow, 1888 - there were some 250 portraits in that picture. From 1890 he visited Morocco frequently, and he changed his British base to London in 1896, where he used a studio belonging to Alfred East. He was elected ARA in 1911,